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  • Frame Rate Vs. Shutter Speed – Setting The Record Straight

    Thursday, May 17, 2012

    Here is a great article by Sam Morrill on the difference of Frame Rate vs. Shutter Speed. For all you DSLR video shooters this is great information to know.

    http://vimeo.com/videoschool/lesson/56/frame-rate-vs-shutter-speed-setting-the-record-straight

    “In this day and age of constantly changing gear and technology, there’s a growing set of vocabulary that we video creators are all expected to learn. With so much jargon being thrown around, it can be easy to forget certain concepts or confuse them for other ones. A prime example of this is demonstrated by the confusion between frame rates and shutter speeds. Let’s taken a minute to clarify.” – Sam Morrill

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    Posted by Danita in Cameras, Canon, Gear, Shooting Tips, Stock Footage || Comment Now ||
  • New 5D Mark II Firmware Upgrade

    Tuesday, November 22, 2011

    Download It Here

    Firmware 2.1.1 provides the following fixes and improvements:

    - Fixes a phenomenon where shooting stops after capturing one image when in continuous shooting or the Auto Exposure Bracketing (AEB) continuous shooting setting.

    - Corrects misspellings in the menu screens displayed in Dutch language.

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      Posted by Dave in Cameras, Canon || Comment Now ||
    1. Canon EOS C300 & C300 PL

      Saturday, November 5, 2011

      Canon C300

      Canon just decided to go head to head with RED with it’s forthcoming EOS C300 DSLR/Camcorder. This indeed looks to be promising.

      Read the offical Canon press release below for details and specs:

      HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera*, with a PL lens mount for use with industry-standard PL lenses.

      The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

      Star-Studded Supporting Cast
      Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300′s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.

      Show-Stopping High-Resolution Full-HD Performance
      The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

      Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

      In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

      The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

      Ready for Action


      With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

      The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

      The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

      Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xii made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)iii can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

      Pricing and availability


      The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

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      Posted by Dave in Cameras, Canon || Comment Now ||
    2. Canon Announces 1D-X

      Tuesday, October 25, 2011

      Canon announced it’s latest and greatest DSLR last week and the video specs are something to behold. It seems like they listened to filmmakers gripes and made some vast improvements on the video capturing side of things with this model.

      Find the details below…

      Canon EOS 1D-X

      Enhanced EOS HD Video – New Compressions, Longer Recording

      Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work. The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.

      Canon’s all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

      The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

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      Posted by Dave in Cameras, Canon, Gear || Comment Now ||
    3. Viewing Our Footage Collection w/ IE8 or IE9

      Wednesday, August 24, 2011

      It has been brought to our attention that there are some compatibility issues when attempting to view videos on our site in Internet Explorer 8 and 9. There is a simple solution to this problem and we thought it would be be a good idea to post a step by step guide on how to work around it.

      If you try to view a video in on the preview page and all you get is a black screen on the video player then you will need to change your “Compatibility Settings” in the Compatibility Menu.

      First, you will need to make sure the “Command Bar” is activated, which houses several buttons such as the home page icon, rss feed icon, printer icon and the page, safety and tools drop down menus. Then you will click the Page drop down menu and select “Compatibility View Settings.” Once the pop up window opens, simply switch your settings to view all websites in “Compatibility Mode” and you’ll be all set.

      There are two different locations for this menu depending on if you are using Internet Explorer 8 or Internet Explorer 9, and you very well may have them arranged differently, but the menu bar will look the same.

      Use the screenshots below to help guide you to the Page drop down menu:

      Internet Explorer 8

      Internet Explorer 9


      We hope this helps! As with anything footage related, if you have any questions please don’t hesitate to shoot us an email at: footage@danitadelimont.com

      Happy viewing!

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      Posted by Dave in Stock Footage || 1 comment ||
    4. Firmware Update for 5D Mark II

      Thursday, June 23, 2011

      Firmware 2.0.9 for 5D Mark II
      Firmware Version 2.0.9 incorporates the following improvements and fixes.

      1. Improves writing/reading speeds when using UDMA 7-compatible CF cards.

      2. Fixes a phenomenon where the IS function will not work when custom function C.Fn III-2 is set to [5: IS start] and the lens attached does not have an AF stop button. This is because custom function C.Fn III-2 allows users to assign IS start to the AF stop button on the lens

      3. Corrects misspellings in the menu screens displayed in Arabic, Portuguese, Spanish, and Thai languages.

      Download Here
      via: Canon Rumors

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      Posted by Dave in Cameras, Canon || Comment Now ||
    5. New Accessories!

      Monday, February 14, 2011

      As with everything in the ever-expanding technology market, new gadgets are constantly coming out to make your shoot experience easier, more fun and more productive.  Here are a few of the newest accessories for your DSLR that I’ve gathered browsing the web since CES in Vegas last month.

      Electronic Follow Focus

      More info: Jag35.com

      Sony CML V-55 LCD Monitor

      More Info: Digital Newsroom

      iLED ONE

      iLED ONE from ikan on Vimeo.

      “ikan’s iLED ONE comes complete with a tungsten 60 degree flood bulb, shoe mount and an 
in-line power switch. Power supply is sold separately to give you the choice on how to power your light! 

The preferred power supply choice is the AC107, equipped with the BCA107 belt clip for your choice of Sony L or BP-U, Canon 900 or Panasonic D54 style batteries.  The perfect solution for ‘on the go’ lighting!”

      More Info: Ikan.com

      LCDVF for HDSLR Cameras


      More Info: LCDVF.com

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      Posted by Dave in Stock Footage || Comment Now ||
    6. Red Scarlet Preview

      Thursday, February 10, 2011

      DSLR News Shooter got their hands on the Red Scarlet at CES last month and put together a nice little video preview for you to salivate over. The release date still hasn’t been announced, but at least it seems the rumors that this camera was dead in the water are unfounded. It seems like this camera will deliver the goods, whenever the delivery date may be.

      We’ll be sure to keep you posted on all the latest news and updates.

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      Posted by Dave in Cameras, Gear || 2 comments ||
    7. Canon T3i/600D Announced

      Tuesday, February 8, 2011

      For the full list of features and an in depth preview head over to DP Review.

      From the press release:

      Canon t3i

      London, UK, 7th February 2011 – Canon today announces the launch of the EOS 600D – a compact, lightweight Digital SLR (DSLR) that makes capturing exciting, fun and creative images easier than ever. The perfect choice for aspiring photographers looking for a combination of outstanding image quality and ease-of-use, the EOS 600D sits at the top of Canon’s entry-level EOS line-up, above the existing EOS 550D and the new EOS 1100D.

      Capturing stunning images and Full HD video has never been easier, thanks to a range of automatic shooting modes that beginners can use to instantly express their creativity. A Feature Guide has been added to the user interface to help you learn about the camera as you use it, helping to develop your photography skills. With an unrivalled range of EF lenses, Speedlites and other accessories to enhance your shooting, the EOS system holds the key to the perfect shot – wherever your journey takes you, and whatever the scene before you.

      EOS 600D – key features:

      -18-megapixel CMOS sensor

      -Scene Intelligent Auto mode

      -Full-HD EOS Movie

      -On-screen Feature Guide

      -3.7fps continuous shooting

      -Wide-area 9-point AF

      -1,040k-dot vari-angle 7.7cm (3.0”) screen

      -Basic+ and Creative Filters

      -Built-in wireless flash control

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      Posted by Dave in Cameras, Canon || Comment Now ||
    8. Canon Filmmakers Live w/ Philip Bloom coming to Seattle

      Monday, February 7, 2011

      © PhilipBloom.net

      Philip Bloom is considered to be one of the most sought after minds in DSLR cinematography. He has worked on numerous short films, documentaries and more his recent work includes films for Discovery HD, Five, Living and Sky One to name a few. He also runs a very comprehensive blog and forum on his website with the latest techniques, reviews and updates of various hardware, software and accessories that is a must have on any videographer’s blogroll. Here is a snippet from his bio:

      I consider myself as one of the new breed of cinematographers. Over the past 3 years I have embraced the 35mm film adaptor market, shooting on HD video but making it look close to 35mm film. I also have recently embraced the video DSLR cameras, in particular the Canon 5d Mk2 and the Canon 7d. Please visit my DSLR films section to see just how beautiful they look. I have used these DSLRs on all sorts of projects including recently being the DSLR second unit DP on the new movie from Lucasfilm.

      Philip will be joining the “Canon Filmmakers Live” US Tour this spring and the will be making a stop in the Seattle area at the King Cat Theater on Thursday, March 31st. The workshop goes from 10am-5pm and entry is $150.

      For all the details and to order tickets visit the website:

      http://canonfilmmakerslive.com/2001/03/31/king-cat-theatre/

      http://philipbloom.net

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      Posted by Dave in Canon, Workshops || 1 comment ||